Inspired by Tradition, Crafted for Generations
The Beginnings
My passion for furniture making began in childhood, whittling wood with my dad in the nearby woods, crafting things like bows and arrows. Even then, I was unknowingly drawn to the unique properties of wood—choosing hazel for its abundance, straightness, and flexibility for a bow, and holly for arrows because of its perfectly straight growth. This early connection to the natural world and the craft of working with wood sparked my deep passion for woodworking.
Now, I share that same passion with my own children, involving them in the craft just as my Dad did with me. Together, we explore the woods and feel the trees, passing down the knowledge and appreciation for the beauty and versatility of wood.
Inspired by Danish Design
Guided by the simplicity and elegance of Danish craftsmanship, I craft furniture that balances form and function. I’m particularly inspired by Danish chair makers—their precise build techniques, commitment to quality, and the subtle lines that create a sense of effortless simplicity. Their deep understanding of how form and function coexist influences every piece I design. I also believe in making only what is necessary, ensuring each piece serves a purpose without excess.
A Creative Space
Our workshop is based in Lewes, East Sussex, where I draw endless inspiration from the surrounding Sussex landscape. It’s an incredible privilege to now own my own workshop—a space that feels like a creative playground where I can experiment, craft, and bring ideas to life. It’s also a place where I hope to one day teach others, passing on the skills and passion that have shaped my journey in woodworking.dedication to creating pieces built to last.
Thinking Ahead
As my business evolves, I’m keen to explore materials that are at the cutting edge of sustainable design, always with a circular economy at the forefront of my approach. By restoring and crafting furniture built to endure for generations, I aim to reduce waste and ensure my work contributes to a healthier future. But sustainability alone isn’t enough—it’s equally important to regenerate, to put back into the world what we take. That’s why I’m committed to not just minimising impact but actively creating processes that restore and replenish, ensuring that the materials and craftsmanship we rely on are part of a cycle that supports our future generations.